Thursday, July 30, 2009

Text: Ice Cream Truck intro, partial


The song was no song but it had been a song at one time. Nothing I had heard on the TV or on the radio or at my grandmother’s house. But it was music. It had been music once. I didn’t know many song names at that time. Only the funny ones or the ones that had their first line in the title. The song made me ache with something. I was too young to remember when the song had been a song. When the song had meant something to some people and how it had. I knew it was a happy song that was really a sad song. That much was clear even to a five year old.

I didn’t know what the song was supposed to mean. It was simple. It was loud. It was a signal to tell people something very simple. Something happy that was really something sad.

The song wasn’t about ice cream. The connections from the song were loose. The connections of the song were not flat and planar. This is why they create pain even for one so young. A pain that comes from void. A void of the connections before they are made or understood. On the surface the connections seem planar.

The song droned from the truck as it circled near. The humid air carried the song in sharp gusts. The song was more electrical friction than music. The truck’s speakers ground out the song and the song that is ground out carries furthest. The truck ground out the music and we heard it from a long way away. This was another connection. Somewhat linear. But the straight line connection of our ears and the song and the truck was complicated by the meaning of the song and the grinding of the speakers. The connection of the meaning to the song was further complicated by the lack of words. This is why the song hurts. It has no meaning on its own. And if there is no meaning in the one who listens, the force of the will to know recognizes the void that should be the connection. The void is recognized and created by the recognition. The void pulls meaning toward it. I could hear the music in the hot rusted metal handles of the merry go round. I could feel the meaning in my ears. They tickled with the vibrations of the ground out song.

I didn’t want to let go of the pump handle of the merry go round. I knew I couldn’t get money from my mother. I didn’t even want to ask. She was nothing at all for the ice cream truck and the guy who drove it. She’d seen him before and he could do nothing to right her capsized impression. He had fucked up royally, but he didn’t want to do anything to fix it for me. I didn’t have any money. I would only watch what other kids ordered and paid for.

“You don’t want that trash do you?” she asked.

“No. I was just wondering.”

The truck was a full white step van coated in its menu. It wasn’t the cost. She had the money. I wanted ice cream and I didn’t want it. It made me sick that I asked for it. I waited to the side as the other kids were processed through the line.

“Good, you don’t want that.” she had said and it rang through my head.

Sunday, July 12, 2009

Kali. Hmm.

A friend of mine who does a great deal of yoga mentioned the goddess Kali to me today.
I'm pitifully ignorant of Hindu anything and so it caught me pleasantly by surprise.
There is actually something out there that symbolizes a great portion of my narrative imagery. After an hour's reading I realized that in a screenplay I once turned the land of a future version of the United States into a Kali like figure.













Lucky Dog plot outline


  • Ice Cream Truck intro

  • The boy alone in San Cristo

  • Boy sees the Golem

  • "Trade La Fuente for some names."

  • Cocodrillo takes the boy home.

  • Adara tells the boy the Legend of the Golem


    • Adara's father knew the boy's father.


  • El Patroncito talks with LSPA: establish relationship and goal.


    • El Patroncito's purpose. Original statement.

    • Make up numbers yourself.


  • Operation Just 'Cause: The Invasion of Panama

  • a la feria Adara and LSPA talk about the boy as he rides the rides

  • El Patroncito talks with LSPA: el escogido


    • Discussion about the boy and possible connection to El Patroncito's goal.

    • El Patroncito prompts LSPA to use ICT for broadcast signature


  • Adara and the boy travel to Chamula


    • The Dogs of La Fuente's Chamula

    • The Talking Cross

    • "Find the OTP."

    • Adara tells the boy the story of La Fuente

    • and her muchacha india;

    • bisabuelo and la muchacha;

    • when a dog eats your soul.


  • Another appearance of Golem/Cliquero

  • El Patroncito talks with LSPA


    • The Death Ray


  • "El P is an agent of El Patrón"

  • The boy in Panama (LSPA's recollection)

  • "Molojov Coctele"

  • The boy finds the OTP in the parque.


    • not seen by the reader


  • Adara is an exploding coctele upon LSPA, making him miss the OTP.

  • The boy tells Adara that the Golem killed her father


    • The boy's hiring dream about LSPA and Adara


  • LSPA's time spent in DF waiting. Found by the Spook, from Op. Just 'Cause. The boy's father.


    • The River Teays and the early glacial age. Blurry vision of LSPA


  • Adara tells the boy the origin of El Patroncito (in trade for story about her father)


    • El Corrido de Martín Bachio (La Fuente's father)

    • Tesla and the Death Ray. The boy's father told him.


  • The in depth story of the fall of the Hacienda La Fuente


    • La muchacha india and Señorita La Fuente


  • The boy hunts dogs in San Cristobal


    • Watching the boy


  • "Slam arc on it. E" historic msg remembered by LSPA

  • "Some names."


    • the boy in San Cristobal

    • the boy in el Chorillo

    • The boy is killed.

    • The Golem is blamed.


  • Hunt the Golem.

  • "El Escogido"

  • El Cliquero = the Golem


    • El Cliquero of Panama


  • El Patroncito's true purpose. Admission.

  • Adara tells the story of Tesla and Marconi.


    • The story of Adara's father


  • El Cliquero hunts LSPA

  • Cocodrillo saves LSPA

  • "The world must end through you."